SIMEON MARKO

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RERENDER

Every day, our attention is directed by tiny red, green, and blue pixels, shining in different intensities to provoke a choreography of compulsion and disconnection. Before the screen, light was sacred, providing the foundation for every natural system in the world. Now, most interactions with light coincide with an overstimulating stream of information, advertisements, and images. It has been engineered to occupy our minds, hollowing out every idle moment into an opportunity for profit.

In RERENDER, I reconstruct this relationship with light, building time-consuming compositions through the language of LED screens. Using small red, green, and blue tessera, I use the repetitive act of block stamping to reclaim ownership of what the screen has displaced. Inspired by the Tibetan Mandala, these geometries serve as a tool for meditation, reflecting the world through a non-hierarchical system. Even though each element is uniquely imperfect, they compose a single harmony– A tapestry of shifting colors. Requiring attentiveness and deliberate action, this subversion of the screen reconstructs its function into a practice in presence, rather than an act of consumption.

Vairocana, 2026
Vairocana, 2026
Hand-pulled woodblock print on silk, 92" x 92"
Input, 2026
Input, 2026
Hand-pulled woodblock print on silk, 24" x 24"
Execution, 2026
Execution, 2026
Hand-pulled woodblock print on silk, 24" x 24"
Feedback, 2026
Feedback, 2026
Hand-pulled woodblock print on silk, 24" x 24"
Install View (Mcmullen Museum of Art)
Install View (Mcmullen Museum of Art)
Install View (Senior Exhibition)
Install View (Senior Exhibition)
SAPOVNELA RAKUGAKI

Sacred light provides salvation, but digital illumination has no resolution. We no longer pray to the sun because we have it in our pockets.

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